INTERNATIONAL FOUNDATION FORCULTURAL PROPERTY PROTECTION
News
Reposted from the Boston Herald
The City Council will hold hearings about promoting “diversity and inclusion in Boston’s arts institutions” following an uproar about how black students were treated at the Museum of Fine Arts last month.
“At too many of these important institutions, visitors of color are often viewed with suspicion, treated with contempt, or even taunted with racial epithets,” City Councilor Kim Janey said Wednesday as she introduced a resolution calling for hearings. “This is bigger than any one incident. It is time for us to have a broader conversation on race, inclusion and diversity in the arts.”
MFA spokeswoman Karen Frascona told the Herald that representatives from the museum will attend when there is a hearing, which is still to be scheduled.
Helen Y. Davis Leadership Academy students and teachers said they were met with racist remarks and felt like they were being followed by security during their midweek visit, and reported the incidents to MFA staff, teacher Marvelyne Lamy told the Herald in late May.
After investigating the incident, the museum apologized to the Dorchester school and students. The MFA banned two patrons who administrators said made racist comments.
“These young people left the Museum feeling disrespected, harassed and targeted because of the color of their skin, and that is unacceptable,” MFA Director Matthew Teitelbaum said at the time. “This is a fundamental problem that we will address as an institution, both with immediate steps and long-term commitments. I am deeply saddened that we’ve taken something away from these students that they will never get back.”
“There is no way to definitively confirm or deny what was said or heard in the galleries. Regardless, the MFA is committed to providing additional training for all frontline staff on how to engage with incoming school groups about policies and guidelines,” the museum said.
The museum said it would train guards on patrolling and engaging with visitors, and would provide staff with unconscious bias training. The MFA also said it would hold roundtables on these issues with community members.
See Original Post
Reposted from the AP
Pardeep Singh Kaleka has surveyed the landscape of an America scarred by mass shootings.
Seven years ago, a white supremacist invaded a Sikh temple in Wisconsin and killed six worshippers — among them Kaleka’s father, who died clutching a butter knife he’d grabbed in a desperate attempt to stop the shooter. Now, whenever another gunman bloodies another town, Kaleka posts a supportive message on social media. Then later, either by invitation or on his own initiative, he’ll journey to the community to shore up others who share his pain.
He’s been to Newtown, Connecticut. Charleston, South Carolina. Pittsburgh. “We’ve become kind of a family,” Kaleka says.
It’s true. The unending litany of mass shootings in recent years — the latest, on Friday, leaving 12 dead in Virginia Beach, Virginia — has built an unacknowledged community of heartbreak, touching and warping the lives of untold thousands.
All the survivors, none of them unscathed. The loved ones of the living and dead. Their neighbors, relatives and colleagues. The first responders, the health care workers, the elected officials.
The attacks have changed how America talks, prays and prepares for trouble. Today, the phrases “active shooter” and “shelter in place” need no explanation. A house of worship will have a priest, a rabbi or an imam — and maybe, an armed guard. And more schools are holding “lockdown drills” to prepare students for the possibility of a shooter.
Post-traumatic stress disorder was once largely associated with combat-weary veterans; now some police and firefighters tormented by the memories of the carnage they’ve witnessed are seeking professional help. Healing centers have opened to offer survivors therapy and a place to gather. Support groups of survivors of mass shootings have formed.
Mayors, doctors, police and other leaders who’ve endured these crises are paying it forward — offering comfort, mentoring and guidance to the next town that has to wrestle with the nightmare.
Former Oak Creek Mayor Stephen Scaffidi, who’d been on the job just four months at the time of the 2012 Sikh temple attack, remembers a call that night from the mayor of Aurora, Colorado, where 12 people had been fatally shot at a movie theater less than three weeks earlier. “He gave me the best advice I could ever receive in that moment: ‘Be calm. Reassure your community. And only speak to what you know. Don’t speculate, don’t pretend to be an expert on something that you’re not,’” Scaffidi recalls.
Last year, two days after the fatal shooting of 17 students and staff at Marjory Stoneman Douglas High School, Christine Hunschofsky, mayor of Parkland, Florida, met the mother of a 6-year-old killed at Sandy Hook Elementary School who offered a road map into the future.
“She forewarned me of many of the things that we would encounter,” Hunschofsky recalls. “She said at first it will seem like everyone comes together. Then it seems like a tsunami that hits the community. People become very divided. This is all normal after a mass trauma.”
Three months later, it was Hunschofsky’s turn. She sent a message to the incoming mayor of Santa Fe, Texas, where a school shooting left 10 dead. “She told me this is not going to be the hardest day and harder days are coming,” recalls Mayor Jason Tabor. ”‘Prepare for that.’ She was 100 percent right.”
The two mayors have since become fast friends and Hunschofsky visited Santa Fe. “We’re bonded for life,” Tabor says.
Mass shootings account for a tiny percentage of homicides, but their scale sets them apart. In 1999, the Columbine shooting shocked the nation with its unforgettable images of teens running from the school with their hands up — scenes repeated in other similar attacks years later. Today, the public sees and hears about these events as they unfold, through live-streamed video or tweets.
Each tragedy is horrifying, but the sense of it-can’t-happen-here has worn off.
“We’re a desensitized society,” says Jaclyn Schildkraut, a criminologist at the State University of New York at Oswego.
“There is an element of mass shooting fatigue where we’ve gone from ONE MORE,” she says, her voice rising with exasperation, “to add another one to the list. Everybody immediately goes for the gun argument ... and maybe throw a little mental health in there, but we really don’t have a consistent, prolonged conversation about these events and how to prevent them.”
Studies have offered some hints of their emotional wallop. The National Center for PTSD estimates 28 percent of people who have witnessed a mass shooting develop post-traumatic stress disorder (PTSD) and about a third develop acute stress disorder.
Laura Wilson, an assistant professor of psychology at the University of Mary Washington in Virginia conducted a meta-analysis — an examination of data from 11 studies of PTSD symptoms among more than 8,000 participants who ranged from those who’d witnessed shootings to those who just lived in the communities in a 20-year period. She found the greater the exposure — someone who was at the scene or who lost a friend or family — the greatest risk of developing PTSD. But, in her work, Wilson has found other factors, too, including previous psychological symptoms and a lack of social support, also played a role in increasing the likelihood.
“Mass shootings are a different type of trauma,” Wilson says. “People are confronted with the idea that bad things can happen to good people. ... Most people have a hard time reconciling the idea that a young, innocent person made the good decision to go to school, was sitting there, learning and was murdered. That does not make sense to us. ... It just rattles us to our core.”
And yet, some people don’t fully appreciate the lasting psychological wounds of those who escaped physical harm.
A study conducted by a University of Nevada-Las Vegas professor after the 2017 Route 91 Harvest Festival shooting that left 58 people dead found PTSD levels for those at the concert remained elevated at least a year later. Most of these people had a friend, family member or co-worker asking — as early as 1½ months after the event — why they were still troubled.
“Almost everyone had someone say, ‘Get over it. Why are you letting this bother you?’” says Stephen Benning, a psychology professor who conducted the research. Those kinds of remarks were associated with increased levels of PTSD, which lasted longer than depression.
April Foreman, a psychologist and board member of the American Association of Suicidology, likens exposure to mass shootings to a flu epidemic that affects the entire community in different ways.
“When we have these mass casualty events it’s like an outbreak of a virus,” she says. “Some people might be immune or not susceptible to that strain. Some people are going to get a little sick, some people are going to be very sick. Some people might have compromised immune systems and if they’re exposed they have a very high risk for life-threatening illness. Suicide is like the extreme outcome.”
In one week in March, two student survivors of the Parkland school shooting killed themselves. Around the same time, the father of a 6-year-old killed girl in Newtown died of an apparent suicide. He had created a foundation in his daughter’s name to support research on violence prevention.
Austin Eubanks, a Columbine student who was shot and watched his best friend die in the school massacre, died last month, possibly of an overdose. He struggled with opioid use after the attack and later became an addiction recovery speaker. A memorial fund established in his name is seeking funds for a trauma-informed program for families and victims of mass violence.
After the Parkland suicides, Hunschofsky says, many people sought mental health help for the first time. “They just told me, ‘I thought I was OK, but after this happened, maybe I’m not. Maybe I do need to talk to someone.’” The community’s wellness center, established after the Parkland shooting, extended its hours.
A similar program, the Resiliency Center of Newtown, is an informal gathering place for those grappling with anxiety, depression and PTSD. Though the school attack occurred 6½ years ago, the center still gets new clients and after every mass shooting, more people stop by.
“Your heart hurts every time a new tragedy happens because you know what those people who are impacted are going to have to go through and what the community is going to go through, and that’s hard,” says Stephanie Cinque, the center’s founder and executive director. “You don’t just get over it and move on.”
In Florida, Orange County Sheriff John Mina, Orlando’s police chief during the 2016 massacre at the Pulse nightclub, realized that when he reached out to law enforcement peers — former chiefs of Aurora and Newtown — afterward. ”’What do you think I should be doing six months, a year from now?” he asked. “They said, ’John, you’re not going to be dealing with this a year. You’re going to be dealing with this five or 10 years. That was like a punch in the gut.”
There were some immediate lessons learned, he says. Among them: improved communications with the fire department and better equipment. After the Pulse shooting, officers were given Kevlar helmets and an extra layer of body armor that will stop rifle rounds.
Mental health debriefings were held six months and a year after the shooting rampage for Orlando officers who went to the nightclub that morning.
Some have reached beyond the department to UCF RESTORES, a clinic at the University of Central Florida that helps trauma victims. It was originally designed to serve the military, but has expanded to include first responders and sexual assault victims, among others.
Deborah Beidel, the clinic’s director, says first responders called to mass shootings face trauma similar to those in combat. About 50 firefighters, police and paramedics who were at Parkland and Pulse have been treated, most in a three-week outpatient program that exposes them to the sounds, smells and sights they encountered that caused their PTSD.
For those inside the Pulse, Beidel says, “the sound of cellphones ringing and ringing and ringing and no one answering them became a trigger for many people. Afterward, any time they heard a cellphone, particularly that Marimba ring on the iPhone, they would have a flashback.”
Beidel says the goal isn’t to make workers forget but to “put that memory in a file where it no longer affects every other aspect of their life, so that they no longer are restricted in what they can do because ... of flashbacks or panic or whatever they might be experiencing.”
Jimmy Reyes, a 35-year-old Orlando firefighter, enrolled in the program about five months after Pulse. He’d been haunted by the memory of tending to more than two dozen bloody, wounded people carried from the club, sprawled over a parking lot, screaming in agony.
After more than four stressful hours caring for the wounded, not knowing who’d live or die, he returned home. As he and his wife watched the TV news, he began sobbing. She held him. “We did the best that we could,” he told her.
Less than a week later, Reyes had a panic attack while working a second job — he was on a safety team in a jet ski race. “I couldn’t breathe,” he says. “I kept telling myself, ‘You’ll be fine. It’ll pass.’” It didn’t. He dreaded another big call at work.
Firefighters, he says, “kind of bury a lot of stuff. It gets put in a file in the back of your head. That’s what I thought this was going to be.”
But it didn’t stay there. He was short-tempered with his family. He had little interest in doing anything but sitting at home. Finally, Reyes decided to seek help.
For three weeks, he relived his experiences, answering questions from a therapist as he told his Pulse story over and over, recalling everything he saw, including one man talking on his cellphone who’d been shot in the head and another critically wounded who asked, “Am I going to die?” At certain points, the therapist would cue up sounds he’d heard — gunshots from inside the club, the wail of the sirens, an explosion.
At first, he says, he cried. By the end of the sessions, he was dry-eyed and calm.
Reyes is better now and remains a firefighter. He never considered quitting. But he’s changed.
“I felt like I was normal before Pulse,” he says. “I was a very happy guy, no problems, no issues with mental health. Now I still deal with depression. I still deal with anxiety. ... I look back at those days. ... June 11th, I was normal. Then June 12th happened. I’m a completely different person.”
So is Las Vegas trauma surgeon Dave MacIntyre.
He talks in a rapid-fire, breathless way about the chaos 19 months after the Route 91 shooting. More than 90 severely injured patients in 113 minutes. He repeats that phrase as if it still hasn’t completely sunk in. After 20 years, he’s now a part-time trauma surgeon looking to get out of the operating room completely. MacIntyre enrolled in January in an executive MBA program for doctors, with plans on becoming a consultant for helping hospitals deal with similar challenges. He’s trying meditation, too.
MacIntyre didn’t realize he had PTSD until an MBA program coach picked up on his symptoms — anxiety, stress, short temper, avoidance. His marriage has suffered. His work, too. “I find it very hard to talk to family members and give them bad news ... much more so than before,” he says.
After the shootings, his hospital brought in therapy dogs and counselors for the staff but not everyone participated. “As physicians we’re not going to want to show weakness. We’re not going to want to go into an auditorium full of people or get on the floor and pet dogs,” he says. “A lot of physicians internalize. You get to the point where it’s unbearable.”
It was different for Brian Murphy. He says he didn’t have any psychological trauma after the shootings at the Sikh temple.
Murphy, the first officer on the scene, was shot 15 times. His face, hands, arms and legs were riddled with bullets. One bullet remains lodged in his skull; another in his throat after slicing one vocal card and paralyzing the other, leaving him with a permanent rasp.
Medically retired from the Oak Creek police department, Murphy completed the master’s degree in criminal justice administration he’d started before he was injured.
He now works for the company that makes the bulletproof vest that stopped three rounds that struck him that August day. He counsels other wounded officers, talking about something deep in his DNA — resiliency.
Murphy gets injections in his throat every three months to stop scar tissue from tightening and has some trouble swallowing, but he has no complaints, noting he was first told he’d never talk or eat on his own. “Once I knew I wasn’t going to die, everything else was butter,” he says.
He credits his family’s support for rebounding. And he refuses to let the shooting dominate his thoughts.
“It’s not like I wake up and say, ‘I can’t believe this happened.’ It’s just life now. I don’t think there’s a tremendous amount of good that comes from looking behind.”
Reposted from Pittsburgh Post-Gazette
Stolen artwork and fake money — artists say it unfortunately comes with the territory of arts festivals.
The Pittsburgh Cultural Trust said it is increasing security measures after a burglar stole thousands of dollars in artwork, jewelry and other items late Saturday from Three Rivers Arts Festival booths in Point State Park. Artists said they also dealt with having to pay close attention to money as several fake $100 bills floated around the first night of the festival on Friday.
“It was like a stab to the chest,” said Alexis Croyle, owner of the Lex Covato brand and participant in the festival. “I’ve been through storms and you will lose a little, but this was the biggest loss I’ve experienced.”
Ms. Croyle, who has participated in the Three Rivers festival for nine years, creates paintings of former presidents with tattoos, as well as illustrations of colorful distorted figures and notable historic individuals. Roughly $1,200 of her paintings was stolen from her booth Saturday night, she said.
“They took [a painting of] Mr. Rogers with tattoos, Tim Burton and Andy Warhol,” Ms. Croyle said. “I’m generally very trusting. But I feel like I have to watch people now.” Her missing Andy Warhol-themed painting is worth $900, she said.
At least four others, including two art dealers, had artwork stolen from their festival booths that night as well.
Chris Jackson, from Chicago, reported the theft of four paintings valued at more than $3,000, including a horse painting and a large version of a Penguins Stanley Cup tribute. The thief, he said, entered his booth by unzipping the back of his tent.
Local photographer Dave DiCello said he had around 150 coasters stolen from his booth, but declined to give further comment.
The thieves appeared to hit several tents that were located a short distance from a security booth, which felt like a “slap in the face,” according to Dan Sullivan, a local glass artist. He said none of his glass necklaces was stolen, but security should monitor the back of tents. People often steal jewelry, he said, so some jewelry artists take down their sets every day and set them up again to prevent theft. He, however, leaves his merchandise up when he leaves for the day.
“It’s hard to take everything down and then reset it up again,” Mr. Sullivan said. “It’s dark at night, so [the thieves] obviously had to be canvassing throughout the day. You just never know who.”
Jake Weiland, manager of Point State Park, said officials can’t provide details regarding how many artists were affected by the thefts because the investigation is ongoing. Commonwealth law enforcement of the Department of Conservation and Natural Resources is probing the incident, he said.
“We will be working with the Cultural Trust and law enforcement through this process,” Mr. Weiland said. “The city of Pittsburgh has been very nice and helpful to work with."
Last weekend’s theft is “highly out of the ordinary,” and the festival always implements 24-hour security through a third-party vendor, according to Robin Elrod, director of communications at the Pittsburgh Cultural Trust. She declined to say which security vendor has been contracted for the festival.
The annual festival hosts around 50,000 people a day, she said.
“Since learning of this activity, we have alerted our on-site staff, volunteers, and security partners in the city to be on special lookout for these acts and have dedicated further resources to security in the Artist Market area,” Ms. Elrod said. “If anyone sees something suspicious in the area, we encourage them to alert our public safety team, which can be reached in the public safety tent at the entrance of Point State Park or by calling 911.”
Several artists said Monday they noticed an increase in security walking around the festival, and they were provided zip ties to help constrain tent zippers. Tents have a zipper in the front and back that artists simply zip closed when they are finished.
Jennifer Float, 47, of Columbus, Ohio, wasn’t affected by the thievery, but said she was disappointed security “wasn’t doing its job.”
“There was a lot happening this weekend,” Ms. Float said, referencing Pride and the arts festival. “It stinks, but we’re all healthy and we’re all safe.”
Reposted from Cobalt Robotics
Collision Conference has been called North America’s fastest-growing tech conference, and each Spring it brings together the top people and companies redefining the global tech industry. This year, journalists like Kara Swisher, politicians like Justin Trudeau and celebrities like Seth Rogen spoke at the conference to share their big ideas, expert insight and unique views on the biggest trends impacting society today.
At the annual conference in Toronto this year, Cobalt’s own CEO Travis Deyle took the stage to tackle the state of robotics today. He sat down with Paul Michelman, Editor in Chief of MIT Sloan Management Review to discuss the origins of Cobalt, the need for security robots and some of the opportunities for robotics companies today.
It’s not about the future. Robots are here today.
Robots first entered our homes in the form of dishwashers and vacuum cleaners—nearly 50 years ago. But often, even as most of us are familiar with today’s most popular robots like Pepper and MIT’s creations, robots are still widely considered a future technology
Yet, Travis asserts, thanks to the Roomba vacuum cleaner or even lane assist in your car, you’re already interacting with robots frequently every day. And as robots in the service industries—cleaning, delivery, manufacturing and even farming—show great success in their applications, we will be living and working alongside many more robots in our day to day lives.
“Robots are computers that can reach out and touch the world.”
Hollywood’s Version of Robots
Popular Hollywood films such as Robocop and Terminator have portrayed robots negatively—as malicious, intelligent beings designed to wreak havoc or control humans. This means today’s robotics companies have some big cultural misconceptions to overcome as the develop their solutions. They need to show how robots can be helpful and beneficial, not harmful.
In his session with Paul, Travis asserted that one of the best ways to accelerate robot adoption and ease the integration of robots in our daily lives is by getting out into the world where robots exist and interacting with them—touching them, working with them and asking questions. Once we learn why a robot is there and what they’re meant to help with, we can better work and live side by side with them. This helps quell any uncertainty around robots and highlight just how useful they can be.
Robots Keeping You Safe
Maslow’s Hierarchy of Needs defines safety and security as the next most important needs after physiological needs have been met. Today’s businesses have an obligation to keep their employees safe and their property and assets protected, and thus invest in physical security in the form of security guards, access control and camera systems.
Security robots like Cobalt’s are a new tool for security programs to help offices and facilities keep their employees safe and protected. As the robots patrol their environment using AI to monitor and detect anomalies, they can respond to incidents with greater efficiency and efficacy.
At the same time, employees working in spaces where Cobalt’s robots are deployed can learn about the robot, how it works to keep them safe and how robots can be helpful in society. People can go up to the robot, touch it and even video chat with one of Cobalt’s security specialists. The result is a robot seamlessly integrated into the work environment and a better understanding of how robots can benefit us today.
“It’s time to get robots out of the lab and into real, human spaces, working in and around people.”
Reposted from the Northampton Chronicle
Three fire crews were needed in February this year when a fire broke out at the Northampton Museum and Art Gallery.
There were fears the blaze could have spread to the rest of the building and undone the borough council's ongoing £7million renovation project.
But a new photo shared today has shown how a well-fitted fire door stopped the flames in their tracks and prevented further damage.
This incident involved a fire in a main, open plan office area, which was left black with smoke damage.
Due to the secure, closed fire doors, flames did not progress beyond this area and so damage was kept to a minimum.
The photo clearly shows a smoke blackened area in the main office and, beyond the fire doors, clean undamaged walls.
Community Protection Manager Scott Richards praised the installation of the fire doors, and pointed out that organisations can fail to properly consider the impact these features have in case of a fire.
He said: “We would encourage all businesses to think about their own premises and consider what a fire would do to their building. Think about whether you would be able to continue to operate if your offices or warehouses suffered a fire.
“Fire doors are so important because they protect areas such as staircases and other escape routes in buildings, such as care homes and hotels, making escape more possible. They also help to enclose high risk zones such as kitchens and boiler rooms. Their other purpose is to subdivide buildings to limit the spread of smoke and fire.”
“When looking at the area in which the museum fire was, in comparison to the inside of the neighbouring, smaller offices a few metres from the main area of fire, it can be clearly seen that these closed fire doors did their job properly.”
Fire doors which are inappropriately used or incorrectly fitted are common fire safety issues. Below is a list of common mistakes in fire door usage.
Common fire door issues:
- Door jamming on the frame
- Self-closing device failing to shut the door and needing adjustment
- Strips and seals around door becoming damaged or ineffective
- Damage to the door front or edge, affecting the door’s fitting
- Glazing becoming loose due to damage
- Glazing being replaced by glass which is not fire resistant
- Poorly fitted doors, perhaps fitted by someone unqualified
- Use of inappropriate materials, such as non-fire resistant wood
- Doors fitted in walls or next to glazing that isn’t fire resistant
Reposted from the Miami New Times
Last week, a British charity revealed that a 90-year-old retiree in Aventura had just casually been harboring a stolen piece of Stonehenge for the last 60 years. Back in 1958, the man, Robert Phillips, had been working for a firm that was trying to restore a banged-up rock at the ancient site. Phillips' firm drilled a few holes into the rock to insert some metal tubes, and Phillips ran away with a broomstick-sized cutout from Stonehenge. He then took it with him when he moved from the U.K. to the U.S., and the piece sat in his office until he finally decided to send it back to where it came from.
But the Stonehenge core is far from the only insane artifact that's turned up in South Florida. In fact, the area's unique combination of retirees, wayward travelers, and outright criminals have turned Miami into a haven for art thieves and black-market artifact deals. Here's a recap of some of the wilder stories:
1. A Matisse stolen from Venezuela turned up here:
In the dark of the hotel room, the ultraviolet lamp ignited like Promethean fire. A middle-aged American with gray hair leaned low over the bed, his gaunt face glowing in the purple light. Beneath him lay a weathered canvas, its edges cracked and crumbling. The man inhaled deeply. Then, with gloved hands, he slowly swept the lamp along the painting's smooth surface. A pair of crimson pants legs sprang from the shadows. The man moved the lamp a few inches more and a woman's belly gleamed soft and white. Her bare breasts were full and pink, her mouth small and puckered like a wilted rose. At last, the man shone the light into her eyes: dark, inscrutable orbs peering out from the canvas for the first time in a decade. "It's real," the American said, standing up and shutting off the lamp. The American's young assistant — a pretty woman in pearls and a pale-green blouse — pulled open the curtains, and light poured into the hotel room. Outside, South Beach was suffering through another scorcher during the summer of 2012. Inside, however, it was a celebration. After a year of furtive meetings and coded phone conversations, it was finally time to make a deal. Photos were snapped and a call was made to arrange the agreed-upon $740,000 payment. A heavyset Cuban man with a black guayabera and a salt-and-pepper buzzcut stood near the window. He had been nervously pacing all morning. Now that the deal was done, he began to flirt with the pretty American in pearls. "Now I make love to her," he said in broken English, gesturing to the nude painting. "No!" she giggled. "Don't you dare do anything to La Gorda." Then she picked up the phone to order champagne.
In the dark of the hotel room, the ultraviolet lamp ignited like Promethean fire. A middle-aged American with gray hair leaned low over the bed, his gaunt face glowing in the purple light. Beneath him lay a weathered canvas, its edges cracked and crumbling. The man inhaled deeply. Then, with gloved hands, he slowly swept the lamp along the painting's smooth surface.
A pair of crimson pants legs sprang from the shadows. The man moved the lamp a few inches more and a woman's belly gleamed soft and white. Her bare breasts were full and pink, her mouth small and puckered like a wilted rose. At last, the man shone the light into her eyes: dark, inscrutable orbs peering out from the canvas for the first time in a decade.
"It's real," the American said, standing up and shutting off the lamp.
The American's young assistant — a pretty woman in pearls and a pale-green blouse — pulled open the curtains, and light poured into the hotel room. Outside, South Beach was suffering through another scorcher during the summer of 2012. Inside, however, it was a celebration. After a year of furtive meetings and coded phone conversations, it was finally time to make a deal.
Photos were snapped and a call was made to arrange the agreed-upon $740,000 payment.
A heavyset Cuban man with a black guayabera and a salt-and-pepper buzzcut stood near the window. He had been nervously pacing all morning. Now that the deal was done, he began to flirt with the pretty American in pearls. "Now I make love to her," he said in broken English, gesturing to the nude painting.
"No!" she giggled. "Don't you dare do anything to La Gorda." Then she picked up the phone to order champagne.
2. Frenchman Bernard Ternus tried to sell four paintings, including a Monet, that had been stolen from the Musée des Beaux-Arts in Nice, France:
Two months after the robbery, a Frenchmen cruises past Aventura Mall on his scooter. He pulls into a plaza across the street and leaves the scooter near Target. He walks across the parking lot and stands in front of a Marshalls department store. His name is Bernard Jean Ternus. He's five-foot-eight, with a short light-brown mullet, a triangular face, athletic shoulders, and an ample paunch. The 54-year-old is, by all accounts, friendly. But his police record in France dates back to 1966, when he was 13, and includes breaking and entering, theft, armed robbery, possession of stolen goods, destruction of a vehicle, and, as recently as 2002, assault with a deadly weapon. Ternus isn't waiting long when an American sedan rented from Alamo pulls up. The Frenchman gets in, and the car parks near the back of the lot. The driver is a nicely dressed gentleman in his 60s. His name is Bob. He never gives his last name. He has an open collar and expensive slacks and shoes. He's tall, knowledgeable, and confident. In the back seat is a friend of a friend of Ternus's who speaks French and English. Bob hands Ternus some pages he has printed off the Internet. "These are the insurance values," Bob says through the translator. Ternus sorts through them. Bob explains that because the paintings were stolen so recently, their value on a black market will be considerably less than the figures on these sheets. "I just need to get this done," Ternus says in French. His English is horrible, and his Spanish isn't much better.
Two months after the robbery, a Frenchmen cruises past Aventura Mall on his scooter. He pulls into a plaza across the street and leaves the scooter near Target. He walks across the parking lot and stands in front of a Marshalls department store.
His name is Bernard Jean Ternus. He's five-foot-eight, with a short light-brown mullet, a triangular face, athletic shoulders, and an ample paunch. The 54-year-old is, by all accounts, friendly. But his police record in France dates back to 1966, when he was 13, and includes breaking and entering, theft, armed robbery, possession of stolen goods, destruction of a vehicle, and, as recently as 2002, assault with a deadly weapon.
Ternus isn't waiting long when an American sedan rented from Alamo pulls up. The Frenchman gets in, and the car parks near the back of the lot.
The driver is a nicely dressed gentleman in his 60s. His name is Bob. He never gives his last name. He has an open collar and expensive slacks and shoes. He's tall, knowledgeable, and confident. In the back seat is a friend of a friend of Ternus's who speaks French and English.
Bob hands Ternus some pages he has printed off the Internet. "These are the insurance values," Bob says through the translator. Ternus sorts through them. Bob explains that because the paintings were stolen so recently, their value on a black market will be considerably less than the figures on these sheets.
"I just need to get this done," Ternus says in French. His English is horrible, and his Spanish isn't much better.
3. Jacob Jordaen's The Last Supper turned up at a Broward La Quinta Inn: Via the Sun-Sentinel:
A 17th-century Flemish painting stolen from a British museum was recovered on Thursday by FBI agents in a Plantation hotel. Agents arrested three people who were trying to sell The Last Supper from a room at La Quinta Inn on Peters Road. FBI officials declined to identify the individuals, who are being detained for possible violations of interstate transportation of stolen property and conspiracy. The painting, by Jacob Jordaens, is estimated to be worth between $50,000 and $100,000. It was stolen four years ago from The Rectory in Surrey, outside London. The oil painting, measuring 45 inches by 65 inches, is in bad shape. "When they rolled it up, they created creases and cracks in the canvas," said FBI special agent Mike Fabregas. After analysis, FBI's South Florida office plans to turn over the painting to British authorities.
A 17th-century Flemish painting stolen from a British museum was recovered on Thursday by FBI agents in a Plantation hotel.
Agents arrested three people who were trying to sell The Last Supper from a room at La Quinta Inn on Peters Road. FBI officials declined to identify the individuals, who are being detained for possible violations of interstate transportation of stolen property and conspiracy.
The painting, by Jacob Jordaens, is estimated to be worth between $50,000 and $100,000. It was stolen four years ago from The Rectory in Surrey, outside London. The oil painting, measuring 45 inches by 65 inches, is in bad shape. "When they rolled it up, they created creases and cracks in the canvas," said FBI special agent Mike Fabregas. After analysis, FBI's South Florida office plans to turn over the painting to British authorities.
4. Someone stole a tiny Pablo Picasso piece from a Miami Art Week fair:
A good lesson for Art Basel-goers: If you try to get millions in art for a buck, a cup of coffee, and a hastily brandished firearm, you're going to have some trouble with the fuzz. Miami-Dade Police have arrested a local man accused of stealing millions of dollars in paintings at gunpoint Tuesday — but they have yet to track down the missing artwork. Jorge Alberto Gonzalez, a 47-year-old Southwest Dade resident, was arrested late Wednesday and charged with two felonies, including the alleged theft of ten paintings worth more than $1 million.
A good lesson for Art Basel-goers: If you try to get millions in art for a buck, a cup of coffee, and a hastily brandished firearm, you're going to have some trouble with the fuzz.
Miami-Dade Police have arrested a local man accused of stealing millions of dollars in paintings at gunpoint Tuesday — but they have yet to track down the missing artwork.
Jorge Alberto Gonzalez, a 47-year-old Southwest Dade resident, was arrested late Wednesday and charged with two felonies, including the alleged theft of ten paintings worth more than $1 million.
5. The FBI in 2006 nabbed a group of people who were trafficking priceless pre-Colombian artifacts from Ecuador:
Amanda Moran's eyes widened as she walked from a blinding July afternoon into the cool living room of a red-roofed house just off South Dixie Highway in Coconut Grove. Piled like cheap toys in this ordinary suburban house, some tightly wrapped in Ecuadorian newspaper, were more than 160 pieces from the most incredible collection of pre-Columbian artifacts ever smuggled into the United States. On one table sat a squat clay vase with a dusty-looking handle. On a couch lay a glinting ancient breastplate. On the coffee table stood a four-inch-tall figurine used by shamans in the Andes 6,000 years ago to cast out evil spirits. Then Edgar Nakache, Moran's 49-year-old host, gave her the sales pitch. "We're upping the price to $5 million for the whole set," he said. A few seconds later, a team of FBI agents swooped into the living room and cuffed Nakache, as well as his cohorts, 71-year-old Cecilia Marcillo-Aviles and her daughter, Susan Aviles, age 46. Moran, you see, is an undercover agent. The priceless antiquities had been stolen from Ecuador and brazenly smuggled through customs at MIA. The raid, which took place in July 2006, was the largest bust ever of looted pre-Columbian items, according to the FBI. But it was far from an extraordinary event in Miami, a global center in the international art crime circuit — an enterprise that accounts for more than $6 billion a year, more than the cross-border trade of diamonds, sex, or hot cars. With Art Basel, one of the world's largest art fairs, opening this week, organizers are stepping up security and warning everyone to hang on to their Picassos — and to make very, very sure that Warhol is the real deal before slapping down six figures in cash.
Amanda Moran's eyes widened as she walked from a blinding July afternoon into the cool living room of a red-roofed house just off South Dixie Highway in Coconut Grove. Piled like cheap toys in this ordinary suburban house, some tightly wrapped in Ecuadorian newspaper, were more than 160 pieces from the most incredible collection of pre-Columbian artifacts ever smuggled into the United States. On one table sat a squat clay vase with a dusty-looking handle. On a couch lay a glinting ancient breastplate. On the coffee table stood a four-inch-tall figurine used by shamans in the Andes 6,000 years ago to cast out evil spirits.
Then Edgar Nakache, Moran's 49-year-old host, gave her the sales pitch. "We're upping the price to $5 million for the whole set," he said.
A few seconds later, a team of FBI agents swooped into the living room and cuffed Nakache, as well as his cohorts, 71-year-old Cecilia Marcillo-Aviles and her daughter, Susan Aviles, age 46.
Moran, you see, is an undercover agent. The priceless antiquities had been stolen from Ecuador and brazenly smuggled through customs at MIA. The raid, which took place in July 2006, was the largest bust ever of looted pre-Columbian items, according to the FBI. But it was far from an extraordinary event in Miami, a global center in the international art crime circuit — an enterprise that accounts for more than $6 billion a year, more than the cross-border trade of diamonds, sex, or hot cars.
With Art Basel, one of the world's largest art fairs, opening this week, organizers are stepping up security and warning everyone to hang on to their Picassos — and to make very, very sure that Warhol is the real deal before slapping down six figures in cash.
Reposted from the Independent
A tourist bus was hit by an explosion near the Giza Pyramids in Egypt, according to security sources.
At least 16 people were injured in the blast on the road outside the new Grand Egyptian Museum in Cairo on Sunday.
The bus was carrying 28 South African tourists from the airport to the pyramids. Several Egyptians in nearby vehicles were also injured by broken glass.
There was no immediate claim of responsibility for the attack but Egyptian security forces have been waging a counter-insurgency campaign against Islamist militants in the north of the Sinai Peninsula.
Mohamed el-Mandouh, who witnessed the blast, said he heard a “very loud explosion” while sitting in traffic nearby.
South Africa’s foreign ministry said in a statement that three of its citizens were injured and will remain in hospital. The other 25 passengers will return home on Monday morning, it claimed.
The blast happened around 50 metres from the outer fence of the new museum, and more than 400 metres from the main building, according to the Antiquities Ministry.
Egypt’s tourist industry has been recovering in recent years after visitor numbers dropped in the wake of a 2011 uprising and the 2015 bombing of a Russian passenger jet.
The museum, which will display some of the country’s top antiquities on a site adjoining the world-famous Giza pyramids, is due to open next year.
In December, three Vietnamese tourists and an Egyptian guide were killed and at least 10 others injured when a roadside bomb hit their tour bus less than 2.5 miles from the Giza pyramids.
Reposted from NPR
The Louvre was shuttered on Monday, leaving hordes of tourists outside amid its famous glass pyramids. The reason? The Paris museum's security and reception staff were on strike, protesting "unprecedented deterioration of conditions" amid record crowds.
The museum, located in a former royal palace on the city's Right Bank, attracted a record 10.2 million visitors last year – a 25% increase over the year before. "No other museum in the world has ever equaled this figure," the museum trumpeted in January.
But workers say both visitors and staff are suffering from such massive popularity.
"The Louvre is suffocating," the Sud Culture Solidaires Union said in a statement Sunday. "While the public has increased by more than 20% since 2009, the palace has not grown. ... Today the situation is untenable."
Amid rising crowds from 2009 to 2018, staff headcount declined in that period from 2,161 to 2,005, according to the union.
American visitors to the museum on Monday posted photos of the disappointed queues outside. "Well this is great," tweeted one Californian. "Glad I got to the Louvre early."
The museum is offering refunds to those who bought tickets for the day.
The union cites several problems it says are caused by overcrowded conditions at the museum: an aggressive and impatient public, jostling crowds and inadequate emergency evacuation measures.
"What to say about visiting conditions when people are confronted with noise, trampling, crowds, extreme fatigue and the total inadequacy of museum facilities at such a high volume of visitors?" the union said in the statement. "The Louvre does not have the means of its ambitions."
The Louvre is closed today, as it is customarily on Tuesdays. A notice on its website said the museum would open late on Wednesday after "a general meeting attended by members of the Musée du Louvre's Reception and Security staff." It warned that large numbers of visitors are expected in the coming days, and recommended buying tickets online.
Pierre Zinenberg, a Louvre employee and union representative, told the Associated Press that the outcome of Wednesday's meeting would determine whether the museum would re-open that day, or whether the strike would continue.
Reposted from The Washington Post
The field trip to Boston’s Museum of Fine Arts was supposed to be a reward for good grades and excellent behavior.
Instead, chaperones say, students from the Helen Y. Davis Leadership Academy Charter Public School in Dorchester, Mass., left in tears last week after they were subjected to racial profiling from museum employees and offensive comments from visitors.
On Friday, the museum again apologized to the students and the middle school, where the majority of students are black or Latino. The museum said in a statement Friday that, following an investigation, it had banned visitors accused of making racist comments and is retraining staff and security.
“These young people left the Museum feeling disrespected, harassed and targeted because of the color of their skin,” said the museum’s director, Matthew Teitelbaum. “And that is unacceptable.”
The 26 seventh-graders who went on the school trip are students of color, according to school officials, and the allegations have prompted a larger conversation about how museums and other elite cultural institutions can be uncomfortable spaces for people of color.
Security guards closely shadowed the seventh-graders throughout their visit and followed them from one gallery to another, Marvelyne Lamy, an English language arts teacher at the charter school, told local media outlets. She and her students noticed that their group seemed to be subject to more scrutiny than predominantly white school groups that were touring the museum at the same time.
“We were instructed not to touch any of the artifacts in the museum, yet the white students there touched the displays several times while security looked on without saying anything,” Lamy wrote on Monday in a Facebook post, where she first detailed her frustrations with the museum. “The minute one of our students followed suit, the security guards would yell at them that they should not touch exhibits.”
A staff member who was explaining the museum’s rules allegedly told the group, “No food, no drink, no watermelon.” Lamy told the Globe that she did not hear the comment herself, but students who were upset by the apparent reference to a well-known racist trope told her about it. One 13-year-old told the Globe that the remark left her feeling angry, uncomfortable and disrespected.
The middle-schoolers also reported hearing disparaging remarks from other museum visitors. One student told Lamy that she had been dancing to music played as part of an exhibit when a museumgoer said, “It’s a shame that she is not learning and instead stripping.” Another seventh-grade teacher at the school, Taliana Jeune, described the remark differently, telling WCVB that the student had been warned, “I hope you’re paying attention so that you don’t become a stripper.'”
The remark about stripping was the last straw, Lamy wrote on Facebook, and told the seventh-graders that they were leaving right away. As they were making their way out of the museum, some students paused by the entrance to an African art exhibit. Lamy said a woman walked by and commented, “Never mind, there’s f---ing black kids in the way.”
Lamy said she never planned to set foot in the museum again.
“We reported all these incidents to the staff at the MFA, and they just looked on with pity,” she wrote on Facebook. “They took our names and filed a report. Their only solution, they will give us tickets to come back and have a ‘better’ experience. We did not even receive an apology.”
To some critics, the middle-schoolers’ experience demonstrated why the MFA and other prestigious cultural institutions remain stubbornly white. Racism, wrote Globe opinion columnist Renée Graham, “compels us to self-segregate, to do it to ourselves before it can be done to us. And we tick off the places we won’t go — certain ballparks, restaurants, theaters, symphony halls, hospitals and stores. And museums.”
The museum has made a concerted effort to attract a more diverse audience in recent years. In 2015, the museum found that nearly 80 percent of people who visited were white, which led to targeted outreach and initiatives aimed at making the museum more inclusive. Two years later, Globe reporters who visited on a Saturday found that, out of roughly 3,000 guests, only about 4 percent were black.
On Wednesday, nearly a week after the field trip, top museum officials apologized in an open letter that acknowledged that the students had “encountered a range of challenging and unacceptable experiences that made them feel unwelcome.”
On Friday, the museum revealed the conclusions of its investigation, which included re-creating the students’ three-hour visit from security footage and speaking to dozens of people.
It said it could not “definitively confirm or deny” that students were told “no food, no drink, no watermelon,” saying a staff member recalled saying “no food, no drink and no water bottles” were allowed. Though the museum typically allows guests to carry closed water bottles, school groups are advised that no drinks are allowed in the galleries.
The museum also said security guards’ rotations may have unintentionally appeared to the students as if they were being followed, but added, “It is unacceptable that they felt racially profiled, targeted and harassed.”
Lastly, the museum said its investigation found that other visitors made racist comments to the students, which led to the revocation of their membership and their banning from the museum.
The museum vowed to “adapt security procedures . . . to make sure all people feel welcome,” provide additional training to employees that work with visitors and continue mandatory unconscious bias training for all staff members.
Teitelbaum has asked to meet with students at the school next week.
“This is a fundamental problem that we will address as an institution, both with immediate steps and long-term commitments,” Teitelbaum said in the statement. “I am deeply saddened that we’ve taken something away from these students that they will never get back.”
The experience ended up teaching the seventh-graders “an unfortunate lesson,” Arturo J. Forrest, Davis Leadership Academy’s principal, told the Globe.
“This was a strong group of students that went, they excelled academically,” he said. “The shock of it for them was, ‘We are the top and we carry ourselves the right way as leaders.’ You know, it was very eye-opening for them.
Lamy agreed.
“I had to tell them, you know, as a black or brown person, you have to work 10 times harder,” she told reporters on Thursday. “Unfortunately, that’s the world that we live in.”
Reposted from Securitas Security Services, USA, Inc.
We live in a digital world where a growing threat from cyber thieves exists. In preparing for the holiday season, we should acknowledge our vulnerability to identity theft, as evidenced by the numerous data breaches making headlines. Understanding and awareness can mean the difference between proactively preventing a crime or reactively spending months, if not years, repairing the damage.
What Is Identity Theft?
The United States government defines identity theft as personal information that is stolen and used without permission for some form of gain (Federal Trade Commission). There are a myriad of methods thieves employ to gain access to your personal information and data. Criminals can take out a loan or credit card in your name, without you being aware, using stolen personal data. Immediate repercussions can include a decline in your credit score, calls from debt collectors, collection notices, money missing from bank accounts, false charges on your credit card and transactions declined for accounts associated with your name.
Protect Yourself
The best defense is to be proactive. Like the Securitas value of Vigilance, one must actively protect personal information from would-be thieves. The U.S. Department of Justice recommends employing a ‘need to know’ attitude when it comes to your personal information. First and foremost, do not share your social security number unless absolutely necessary. Next, carefully review monthly statements for any possible errors or mistakes. Shred all personal papers and records before throwing them away. Do not use the same password for multiple sites; vary your passwords for an added layer of protection. Obtain a copy of your credit report, one from each of the three main credit reporting agencies. You have the legal right to a free report once a year. Carefully review all the information, and if there are any unauthorized or incorrect pieces of information, immediately dispute it with the credit agency. You can also subscribe to a credit monitoring service that will provide immediate notification of any associated changes with your credit score. Finally, if you are going to be away from home for an extended period of time, and a friend or neighbor can’t collect your mail, request a mail hold through the U.S. Postal Service until you return. This will help prevent anyone from rummaging through your mailbox while you are away.
What If Your Identity Is Compromised?
If you become a victim of identity theft, there are several immediate actions that will help mitigate the damage. The process is time-consuming, and some steps have a monetary cost, but it is necessary to salvage the situation and protect yourself. If your identity is compromised, do all of the following:
• Call one of the three major credit reporting agencies and place a fraud alert on your credit report. By law they must notify the other two agencies to do the same. An initial fraud alert is good for 90 days, but can be extended for up to seven years, with law enforcement documentation.
• Order all three credit reports and review all information associated with your credit. Notify the respective agency of errors. Note: credit reports and scores vary slightly between the three major credit reporting agencies, hence the need to order all three.
• File an Identity Theft Report through the Federal Trade Commission. This will allow you to get fraudulent information removed from your credit report and stop any debt collections associated with illegal accounts.
• File your Identity Theft Report with the local FBI or U.S. Secret Service field office. Obtain a copy of the completed report for your records. The federal law enforcement agency will open a file and begin an investigation into the crime.
• Contact the Social Security Administration if you suspect that your Social Security number has been compromised or used in the identity theft.
• Contact all your financial institutions to verify that your accounts have not been compromised and for them to track any and all future transactions associated with those accounts.
• If you suspect that a thief has submitted a change of address form with the U.S. Post Office contact the U.S. Postal Inspection Service.
• Finally, contact the Internal Revenue Service if you believe that the identity theft was associated with a tax filing. The ease of submitting a digital tax return has made this a growing crime.
Secure Your Information
A simple way to protect yourself is by being aware of what personal information is being used and shared. Be extremely careful to whom you provide personal information, whether over the phone, through email, or on a website. If you are the one who has initiated the contact, then most times you will be protected. Be alert when you are contacted by someone requesting information. If in doubt, do NOT provide it. If you receive a phone call, offer to call them back, but do NOT use the number they provide. Use the number from a paper statement or search online to verify the contact information of any organization. Customer service representatives will be able to tell you if they have tried to contact you with a request for information.
The Better Business Bureau can verify the legitimacy of any business, brand, or charity.
Before discarding cell phones, tablets, or personal computers, erase all information and reset the systems to the original factory settings. Only submit information online when the ‘lock’ icon is in the browser address bar. Also, look for sites with web addresses beginning with ‘https.’ The ‘s’ stands for secure. If it is not present, transmitted information is not protected. Never leave your passwords on a sheet of paper that can be easily found. Finally, be careful about sharing information on social media sites. Tech savvy individuals can piece together your personal information with your indirect help.
For more information on this and other security related topics, visit the Securitas Safety Awareness Knowledge Center at: http://www.securitasinc.com/en/knowledge-center/security-and-safety-awareness-tips
QUICK LINKS
ConferenceMembershipTraining & CertificationDonate to IFCPP
TRAINING & EVENTS
1305 Krameria, Unit H-129, Denver, CO 80220 Local: 303.322.9667 Copyright © 1999 International Foundation for Cultural Property Protection. All Rights Reserved
Contact Us